While fear and terror are universal
aspects of horror across the globe, the genre of horror media shows several
differences depending on the culture from which they originated. Western and
Oriental horror specifically show several different trends in their stories,
especially in the nature of demons and evil.
Some of the
main differences in Western and Oriental horror can be shown in the different
views of dragons, which is tied to different views of nature. Western ideology
views nature as something more disposable, something that must be conquered and
subjected to your will. This stems from the harsher conditions of the land and
ready availability of more land should specific land prove to be unusable. This
as such reflects in the Western view of dragons, great beasts of the land,
which are readily killed and defeated by the brave knights who stand against
them. The oriental vision of nature instead views it as something that must be
balanced, something that can be worked with as long as specific requirements
are met. This reflected how many oriental countries, specifically Japan, had
more limited land available, and plots for crops such as rice could not be
easily replaced and moved. The Oriental vision of dragons differs therefore,
instead being seen as mysterious beings that are not to be trifled with, and
whose death can cause disastrous consequences and unbalance nature itself.
This view
of nature (and dragons) carries into horror genre. The Japanese manga, “The Enigma
of Amigara Fault”, for example shows an imbalance in nature, an earthquake that
reveals human shaped holes, which are shown to be punishments for criminals of
the past, those who disrupted the natural order with their crimes. There is no
fighting or even necessarily conflict, just retribution for disturbing order.
This greatly differs from the traditional Western horror story, which usually
involves the protagonist fighting and killing some sort of monster. The movie
“Kwaidon” serves as a good example of this. The story involves a young man
seeing a monster woman who promises not to kill him if he never talks about it;
he later marries a mysterious woman and the two live happily until he mentions
what happened on that nigh, whereupon she says it was she and leaves because he
broke the promise. Overall, everything was good until he broke the balance by
breaking his promise; she didn’t even kill him because she loved him and their
children. As a kid, I heard the western version of this story, which was the
same except both the woman and their children turned into horrible,
jersey-devil-like monsters when he broke the promise, and he killed them and
then went to jail for their disappearances. The western version retains the
western vision of violence and the need to defeat what is perceived as evil.
The
differences in Western and Oriental horror can be seen in a myriad of aspects
of their respective culture, but these differences may become less and less
defined as cultures blend across the globe.
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